MARTIN ANTON SCHMID
Photo: simon bailey photography |
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MUSIC THEORIST - COMPOSER - MUSICIAN
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Current Compositions
Upcoming projects
Die Stimmgabel Composition for mixed choir for the choir-leading course of the Tyrolean Conservatory | Style: Tonal Burnout - Soundtrack
Martin Anton Schmid composed the Soundtrack for the movie "Burnout" from five season cinema - including some songs played by the "bacon pilots" and "Lovegun". "Burnout" was premiered on 21st October 2016 at the Cinema Metropol Kino in Innsbruck. Dignatio Tyrolis
Composition order by the Land Tirol - presented on 15.8.2015 in the Hofburg Innsbruck. The recording of the film score was done by Tiroler Symphonieorchester Innsbruck and conducted by Hansjörg Sofka. ![]() Collected Piano Works Volume One:
Available via nota.bailey.at Photo: simon bailey photography. |
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Dates
2020 27 19.12.: Publication of the recording Ennio 24.11.: Publication of the recording 2019 Groovin´ snake 9.11., Innsbruck, Haus der Musik Madiba 13.4. | Haus der Musik, A-6020 Innsbruck 2018 Smugglers 26.1., Saal "Ez", A-6433 Oetz 2016 Burnout, Original Motion Picture Soundtrack 21.10., Metropol-Kino Innsbruck, A-6020 Innsbruck 2015 Sonata of Falling Stars 20.11., Tiroler Landesmuseum Ferdinandeum, A-6020 Innsbruck Dignatio Tyrolis 15.8., Kaiserliche Hofburg zu Innsbruck, A-6020 Innsbruck Operation Greenup 18.4., Mehrzwecksaal Oberperfuss, A-6020 Oberperfuss 2014 Piece for String quintet 13.5., ORF-Kulturhaus, A-6020 Innsbruck Piece for Steirische Harmonika 26.3., Tiroler Landeskonservatorium, A-6020 Innsbruck Nunc dimittis 13.2., Helmut List-Halle, A-8010 Graz ... |
Current research
- Writing the dissertation, entitled Akkordgrundtöne in unterschiedlichen harmonischen Kontexten
- Research project: Entwicklung eines Modells zur Bestimmung von Akkordgrundtönen
- Publication of the talk Die Bedeutung unterschiedlicher harmonischer Kontexte in den Theorien Voglers und Schönbergs
- Research project: Entwicklung eines Modells zur Bestimmung von Akkordgrundtönen
- Publication of the talk Die Bedeutung unterschiedlicher harmonischer Kontexte in den Theorien Voglers und Schönbergs